例句與造句

1. Shortly after the filming of " Man with the Movie Camera ", Kaufman and Vertov fell out over artistic differences.
2. In 1994 Cora was awarded a Meet the Composer Commissioning Grant to compose an ensemble score for " Man with the Movie Camera ".
3. In 2014 a recording of the music for the film " Man with the Movie Camera " was released on double vinyl by Third Man Records.
4. Butt interspersed this with clips from the 1929 Russian documentary " The Man With the Movie Camera " and he also projected psychedelic watercolour effects onto the band.
5. This wandering moral tale finishes with an unexpected bang, however _ an impressionist sequence right out of constructivist pioneer Dziga Vertov's " Man With the Movie Camera ."
6. It's difficult to find man with the movie camera in a sentence. 用man with the movie camera造句挺難的
7. The track " Man with the Movie Camera " bears strong thematic similarities to music composed by Bernard Herrmann for the film " The Seventh Voyage of Sinbad ", in particular the scene in which Sinbad arrives in Baghdad.
8. This notable style of Bu駏el stands in contrast to other politically based documentaries of the time including " Triumph of the Will ", " The Man with the Movie Camera ", " Night Mail ", and " Battleship Potemkin ", among others.
9. Besides performing, Cora composed music for the National Film Board of Canada, choreographer Donna Uchizono ( for which he received a New York Dance and Performance Award in 1990 ), and a solo cello film score for Dziga Vertov's, " Man with the Movie Camera ", commissioned by the American Museum of the Moving Image.
10. However, Vertov's two credos, often used interchangeably, are in fact distinct, as Yuri Tsivian points out in the commentary track on the DVD for " Man with the Movie Camera : " for Vertov, " life as it is " means to record life as it would be without the camera present . " Life caught unawares " means to record life when surprised, and perhaps provoked, by the presence of a camera.
11. Vertov explains himself in " On'Kinopravda'" : in editing " chance film clippings " together for the Kino-Nedelia series, he " began to doubt the necessity of a literary connection between individual visual elements spliced together . . . . This work served as the point of departure for'Kinopravda .'" Towards the end of the same essay, Vertov mentions an upcoming project which seems likely to be " Man with the Movie Camera ", calling it an " experimental film " made without a scenario; just three paragraphs above, Vertov mentions a scene from " Kino Pravda " which should be quite familiar to viewers of " Man with the Movie Camera " : the peasant works, and so does the urban woman, and so too, the woman film editor selecting the negative . . . ."
12. Vertov explains himself in " On'Kinopravda'" : in editing " chance film clippings " together for the Kino-Nedelia series, he " began to doubt the necessity of a literary connection between individual visual elements spliced together . . . . This work served as the point of departure for'Kinopravda .'" Towards the end of the same essay, Vertov mentions an upcoming project which seems likely to be " Man with the Movie Camera ", calling it an " experimental film " made without a scenario; just three paragraphs above, Vertov mentions a scene from " Kino Pravda " which should be quite familiar to viewers of " Man with the Movie Camera " : the peasant works, and so does the urban woman, and so too, the woman film editor selecting the negative . . . ."